is an American playwright, considered one of the founders of the Off-off Broadway theater movement. He received the Pulitzer Prize for Drama in 1980, was elected in 2001 to the Theater Hall of Fame, and in 2004 was elected to the Amercan Academy of Arts and Letters. Wilson began his active career as a playwright in the early 1960s at the Caffe Cino in Greenwich Village, writing one-act plays such as “Ludlow Fair”, “Home Free!”, and “The Madness of Lady Bright”. “The Madness of Lady Bright” premiered at the Caffe Cino in May 1964 and was the venue’s first significant hit. The play featured actor Neil Flanagan in the title role as Lelsie Bright, a neurotic aging queen (gay slang). “The Madness of Lady Bright” is considered a landmark play in the representation of male homosexuality. It was the longest running play ever to appear at the Caffe Cino, where it was performed over two hundred times. Wilson was subsequently invited to present his work off-Broadway, including his plays “Balm in Gilead” and “The Rimers of Eldritch” produced at Cafe LaMama. Wilson is a founding member of New York State Summer School of the Arts. Wilson was a founding member of the Circle Repertory Company in 1969. Many of his plays were first presented there, directed by his long-standing collaborative partner, Marshall W. Mason. The Circle Rep’s production of Wilson’s “The Hot l Baltimore” won the New York Drama Critic’s Circle Award, the Outer Critics Circle Award, and the Obie Award, and in 1979 he received the Pulitzer Prize for Drama for “Talley’s Folly”. Wilson’s style and approach has evolved over the years, sometimes resulting in drastically different effects. Some of his plays are extremely radical and experimental in nature while others clearly have a more mainstream, if still creative, sensibility. His first full length play, “Balm in Gilead”, is perhaps his most radical, yet it also remains one of his most popular. The play had a memorable off-Broadway revival in the 1980s, directed by John Malkovich, a co-production of the Circle Repertory Company and the Steppenwolf Theatre Company. In addition to writing plays, Wilson has written the texts for several twentieth century operas, including at least two collaborations with composer Lee Hoiby: “Summer and Smoke” (1971) and “This is the Rill Speaking” (1992) (based on his own play).
